Coming over and over back again to the endless ressources of boobfulness in the Slavic cultural area. Here’s another boobsperson we know virtually nothing about. Well, what we know is, that the force of boobfulness is strong with this one.
Is she from Poland, Ukraine, Russia … ? We don’t know. There are no dialogues. Not even monologues. Just an amazing amount of boobfulness on a small and fit body. Wow, what a champ!
We’ve compared the early stages of pornography on an industrial level in the Western world of the late 1960s/ early 1970s with the time directly after the fall of the iron curtain in the former Soviet Bloc of the early 1990s. Those days were in more than one way breathless, consuming and not sustainable.
In the West there was a time before that. Distribution of porn on an industrial level was still prohibited. Andy Warhols “Blue Movie” (1969) is considered the first adult movie depicting explicit sex to receive wide theatrical release in the USA. It is often forgotten that the triumph of pornography marked the end of an era: the era of the exotic dancers and topless models of the 1950s and 1960s. That was the Golden Age of photographing and filming boobfulness and like we’ve postulated the other day: from a boobastic point of view porn is non-essential.
The story of Chesty Morgan is pretty much a story right in the middle of the 20th century. Although Chesty Morgan (*1937) aka Liliana Wilczowska aka Lillian Stello is easy to look at, she went through profound existential distress.
Coming from the Old Europe (Poland), with a period of residence in Israel, in the 1960s she moves to the United States. Brooklyn, New York.